From David Alan Black:
… hermeneutics is simply the prelude to obedience.
It should cause one to think.
One element of what I call the central loop (programming background comes out!) is “compare.” To review, the central loop involves: Meditate, Question, Research, Compare (Repeat as needed) This involves a very common principle, that scripture is its own best interpreter. It’s also called “comparing scripture with scripture.” But this process of comparison can be…
… at Zwinglius Redivivus. It does not include me, but I can’t think of anything I wrote recently that I would have nominated, so I can’t complain. Also, I won’t be quoting John Calvin favorably, so this may not be remedied in the immediate future. (If you don’t get the Calvin thing, go and actually…
I believe it’s important to study the Bible. Many approaches are useful in this, and I’ve discussed them elsewhere. But the idea of serious Bible study can become a problem. I’m sure some readers are scratching their heads. How can it possibly be a problem to study the Bible seriously? Isn’t that obviously the right…
On The Rev’s Rumbles (HT: Shuck and Jive) there is a discussion of Biblical authority. The writer quotes the following assertion favorably (from Kenneth Cauthen): NO CHRISTIAN ALLOWS THE BIBLE TO TEACH AS THE AUTHORITATIVE WORD OF GOD WHAT IS KNOWN OR BELIEVED (FOR WHATEVER REASONS) TO BE EITHER UNTRUE OR IMMORAL. EVERY CHRISTIAN FINDS…
Peter Kirk linked to my post on “an eye for an eye” in responding to David Ker’s post What to do with the vengeance in the Old Testament? Skip it! As a result I’ve been able to follow a rather substantial number of posts discussing this issue. One of these comes from John Hobbins, who…
It’s no surprise that I like this, considering it’s N. T. Wright. I like reading or listening to him even when I disagree. (HT: Allan Bevere) While I like his comments in general, I’m particularly interested in his approach to deriving his point from scripture. He goes first to the story. What was it that…
So if hermeneutics is the prelude – what is the fugue?